Monday, April 30, 2007

Thursday, April 26, 2007

OTT Films Email

LUCKY PANTS (Dir. David Wallington) - Extras needed urgently

As David mentioned at the meeting, he is going to need to create as big a n to
or you wish o check that your shoot (o social event) is not going to clash with
an existing one...PLESE check the calendar. Go to the main site and look under
RESOURCES.



CLOSED CIRCUIT LOVE (Dir. Carlos Ferrao) - Locations Required

There are a couple of locations which Carlos hasn't managed to source for CC
Love. Can any of you help?

Car park: car park made of concrete with large concrete pillars that are
distanced equally and stretching back apparently deserted. Large ceiling mounted
bar lights would be ideal as would a flash of line colour going across the
pillars and wall. This could be a public car park, or one in a residential
building.

Abandoned flat: bare with only a small sign of habitation. This could be for
rent or waiting for renovation.

This is an expenses project so he would only be able to pay a small amount of
money for the locations, if at all. Would anyone be able to help? Go to the CC
Love thread (in the Green-Lit folder), if you can help.



FILMOGRAPHY PAGES

Directors who have been asked (already) to provide the required details for the
filmography pages please do so immediately. Let's not allow this to drag out in
the way last years pages did. We shouldn't have to continuously ask you so do
this.



GREEN-LIT AGREEMENTS.

Directors who have had their films made through the group have agreed to play a
role (cast or crew) in various other OTTfilms productions. THIS IS A REQUIREMENT
(and is not negotiable). Those who have missed shoots or dodged shoots (that you
agreed to work on) need to correct that mistake and get your arses in to gear.
It has not been overlooked and you WILL be kicked out of the group if you do not
follow through on that commitment.



WILDFLIP COMIC GROUP MEETING.

Anyone who is part of this group or wishes to (seriously) be involved in the
production of comics, please contact John or log in and post your desire to be a
part of the COMIC PRODUCTION MEETING, which will soon take place.



GOOD NEWS ON SPONSORS.

CobraVision have recently signed up to sponsor the group and as such they will
supply FREE BEER for our screening events. Thank You CobraVision.

OTTfilms Shorts to be screened at Sci-Fi-London Film Festival

6th May at the Apollo West End,
[url=http://www.apollocinemas.co.uk/index.php?localpage=cinema][b]19 Regent
Street, SW1Y 4LR.[/b][/url]....

.. so who wants to come?! :D

There's apparently Cobra beer and if you fancy staying 28 weeks later is showing
afterwards! (- ticket booking at www.apollocinemas.co.uk. ) Tickets are £9.50.
Come and support the films that you helped make, guys.



LOADS OF FILMS SEEKING CAST AND CREW TO KICK START THEM.

If you want to be involved in a film this week, this month, this year then there
is no excuse not to be, There are nearly 200 projects waiting to be Green-Lit
(in the Scripts and Ideas folder) and a dozen or so Green-Lit films that require
YOUR HELP. Log on to the forum ( www.ottfilms.co.uk ) and post your interest,,,

...If you don't tell us you want to be involved, you won't be.

It's your film group, so get involved, guys.

A Beast Of An Email From E. Grove

The A-Z of Independent Filmmaking
Filmmaking taught by filmmakers - for filmmakers March 2007

Greetings!

I am always asked what “Independent film” really is, and I have to say that the entire concept of an independent film is totally strange. In fact, all art is independent, the mere fact of labeling any art form as independent is redundant. Independence is the only true state of art, and if cinema is an art form, then surely all films are independent, This is why we don’t talk about independent opera companies, or independent ballerinas. We don’t debate whether or not a museum or art gallery, a writer or sculptor is independent: we just assume that they are, and if they weren’t we’d soon ignore them.

It is only in the corporate nature of filmmaking in America that has made independence seem unusual. Hollywood has created this crazy situation where businessmen basically create the majority of films as a way to realize their multi-million dollar business deals – so much so – that any film made outside of this nutty-dizzy factory has to call itself an “independent” film in order to distinguish themselves from the suits. So we create this special category of art called “independent film”. The major film festivals and so-called cultural institutions can invite failed studio hacks in to give expensive lectures on the pros and cons of being independent. How ludicrous! Let's never forget, the independent artists are not the oddballs in the history of art; the businessmen are.

Of course, a buzzword is a buzzword, and corporate America recognizes the value of this one, so independence has been turned into a mass-marketing trademark. Once it gets in the hands of the ad men, the meaning leaks out of it, of course. Everybody is an independent – so long as it sells tickets. In Miramax's definition of the concept, Tim Burton becomes indistinguishable from Shane Meadows.

Lots of people call Raindance for filmmaking advice, and a couple of weeks ago, I started to ask them what an independent film was. Wow! Did I get a range of answers? Some said they were films made outside the studio system, others said it was a film made under a certain budget, one tried to convince me that Harry Potter was an independent film, others said it was any film made by an unknown director, others said it was a film aimed at film buffs. One sharpie said it was a film made with poor lighting and a shaky camera.

I tell everyone I meet that independent film is more about a state of mind or the state of your soul than the state of your budget.

An independent film is any movie that uncompromisingly expresses a unique, personal vision.

And that is what Raindance is all about

I have put together this list of definitions in order to give you the buzz words used by artists who work in the film industry: the independent film industry.

The A-Z of Independent Filmmaking
A is for Actor

...the most exploited component of an independent film. Usually actors work free in a feature film hoping that they will be discovered and be able to launch their careers. Often, independent filmmakers will hire a name actor for a day or tow on the set in a cameo role hoping that the 'name' will help to pull in investors and enhance sales. In America, the actors on low budget independent features are called 'the moveable props' in deference to their abundant supply.

In the USA, actors are represented by SAG, and in the UK by Equity.

B is for Blonde

... the nickname for a 2k portable light that can be plugged into household current. A 750 watt light is called a redhead. These lights are considered the staple of independent filmmakers. Thus the phrase: I'm shooting with a blonde and two redheads. This equipment can be packed in a small case and easily transported with a camera in the back of a taxi.

At Raindance we have a great evening course called the Power of Lighting in which simple three point lighting is explained.

BIFA: Acronym for the British Independent Film Awards, the only awards specifically for independently produced film in Europe.
Not to be confused with Biffa - the London-based waste-disposal company.

B is for Budget - uuaully the first thing you get asked when you are trying to drum up interest in your film.

C is for Culture Jamming

...a publicity technique employed by many independent filmmakers as a way to enhance scanty marketing budgets by associating themselves (uninvited) with successful brands, or by courting controversy.

Camera is used for image capture. Independent filmmakers chose the right camera for the story and the budget. Rentals can vary from £50 per day for a near broadcast quality DV camera to £10,000 per day for a large 35mm kit with track, dolly and lenses.

Film cameras are defined by the width (gauge) of the film stock: 8mm, 16mm, 35mm and 70mm. Specialty gauges are super 8mm, super 16mm, and super 35mm. Imax cameras take 70mm film sideways to allow for a 135mm x 70mm frame.
Tape formats are VHS, Super VHS, Beta, Digibeta, Mini DV, DVCAM, DVPro and HDTV.

Raindance Film Festival screens work originated on all formats.

D is for Distribution

... the most difficult barrier for an independent filmmaker to surmount. Filmmakers can resort to alternative distribution techniques (see four walling). In Europe, over 95% of the cinema screens are owned by American studios, making access to distribution even trickier.

Digital technology has revolutionised the filmmaking industry by lowering the financial threshold for entry to the film industry, making filmmaking very democratic.

E is for EDL

... Edit Decision List - the cutting points of all the edits during the movie. Creating the EDL is the job of the editor, one of the key creatives on any filmmaking team, and perhaps the least respected. The editor is responsible for reordering the visual and audio material colleted during the shoot to enhance the story. Inexpensive desk top editing systems like Apple's Final Cut Pro have made it easier and cheaper for filmmakers to edit their material.

Raindance offers two introductory desktop editing courses.

F is for Film festival

... traditionally the launch pad for independent films. At a festival, filmmakers hope to "be discovered". Filmmakers attend hoping to achieve one of two goals: either notoriety or celebrity status. They also hope to sell their film to a distributor.

Four wall: The self-distribution technique employed by filmmakers with no distribution deal or who want to control the release of the film. They purchase all the seats in a cinema at a discount and then program their own film and resell the tickets. An excellent example of this strategy is the campaign engineered by Raindance student Ed Blum for his film Scenes Of A Sexual Nature which screened at Raindance in 2006.

G is for Grips, Gaffers and Gophers

...the nicknames for a crew persons who move anything on set.

A grip moves or rigs anything that camera equipment attaches (or grips). In charge of dollies, cranes and special camera mounts. First assistant is called the Key Grip.

Guerrilla filmmaking is the term describing any tactics that skirt the fringes of the law. For example: shooting in the street technically requires a permit, but guerrilla filmmakers shoot without a permit.

A gaffer is the chief electrician who moves and rigs lights (ie: gaffer tape). Gaffers are named after a hook for hanging overhead lights. First assistant is called the Best Boy.

A gopher is a runner who will 'go for...' anything required by the production.

H is for heli-cam

In order to emulate big budget films, indie filmmakers needing a helicopter shot often use inexpensive model helicopters fitted with cameras and remote control devices.

I is for Investor

and is the key to any film. Learning to approach an investor successfully is one of the most important 'filmmaking' skills to acquire. We teach how to Create A Business Plan: an evening course at Raindance.

Indiewood: a nickname for films made on large budgets which attempt to emulate the topics and look of indie films. Often financed by studios. ie Memento, Pulp Fiction, Gosford Park, Donnie Darko, The Good Girl.

Hollywood's 4 Biggest Lies are here...

J is for Job

What a lot of filmmakers do to keep the wolves from the door while they are making their movie. When you are filming, you often survive on eating bugs. According to Trey Parker, who attended Raindance Film Festival in 1994, the best way to attract bugs is to spill some sugar on the table and add a few tablespoons of beer.

MembersSmall
Join Raindance

Get 15% off all courses (20% from Diplomas), free script registration, our annual DVD of the best shorts from the Raindance Film Festival and much more.

Find out more...

K is for KISS

Keep It Simple Stupid: the basic parameter of an independent film: No children, no animals, no special effects, minimal locations = simple to shoot, simple to edit, simple to finance.

L is for Location

The cheaper alternative to shooting on a set. The challenge for independent filmmakers is to find a series of locations that are close enough to enable them to shoot their films, and easy to travel between. Often, scripts are written with a series of locations in mind: el Mariachi. The ultimate low-budget films are shot in one location, in order to minimise costs: ie Reservoir Dogs, Blair Witch Project, Night Of The Living Dead, Shallow Grave.

M is for Mother

Even independent filmmakers get down sometimes and need a cuddle. M also stands for money, something parents often provide. Hence the definition of independent film is "no single source financing, your mother's excepted".

Mobilewood: movies created for mobile telephones, a trend started by Raindance in '03 with the Nokia 15 second Shorts.

And M is for MySpace - check out the Raindance MySpace page.

N is for Negative

... the most frequently used word in the film industry. But the actual word No is rarely used for fear that one could be accused of saying No to a future success story. Everyone in the British film industry said no to Guy Ritchie. Typical ways of saying no are: Yes; or, Don't call me, I'll call you; or, Thank you for sharing that with me.

O is for Oscar

... the Hollywood equivalent of knighthood. The top indie awards are the Spirit Awards (USA) and the British Independent Film Awards (UK).

P is for Passion,

... the one thing that distinguishes independent film. Passionate stories made by passionate people. You have to have a lot of passion to get your movie made.

Q is for Queer Cinema

... often on the cutting edge of cinema. Filmmakers like Greg Araki (Totally F**ked Up) and Percy Adlan (Bagdad Cafe, My Own Private Idaho) helped expand the narrative storytelling horizon.

R is for Rejection

Successful filmmakers must learn how to handle heaps of rejection. It usually starts with friends and family saying: Why don't you get a real job.

S is for Script

The most important element of any movie.
Famous script quotes:
"If it ain't on the page, it ain't on the stage."
"You can make a bad movie from a great script, but you can't make a good movie from a bad script."
"In the beginning was the Word, and the Word was God." - John 3:12 The Bible
Raindance has the most advanced script training programme in Europe. Details here.

T is for Talent

You've got it or you wouldn't be reading this. Now shut up and PROVE it - grab a camera, any camera, find some film or tape stock, learn how to load your camera and expose the tape/film stock to actors. Thats what filmmaking is.

U is for Underground Cinema

... traditionally the name given to the cutting edge of cinema where filmmakers push the technical boundaries of filmmaking, and test the borders of cultural tolerance with the topics and storytelling techniques used. Many of the so-called 'hip' filmmaking techniques employed by Hollywood are derived from underground cinema. At this year's Raindance Film Festival, we are featuring the works of legendary experimental and alternative filmmakers like Jonas Mikas, Kenneth Anger, Don Letts and Captain Zip.

V is for video and DVD duplication

...the golden goose for independent filmmakers. Now cheap and easy to reproduce, filmmakers can even self-distribute their own movies direct to the consumer and bypass wholesalers and retailers.

W is for "www"

Who knows if film will become as available on the web as music? Studios are very paranoid that there could be an equivalent to Napster in the movie business.

X is for x-rated

... and censorship. Britain maintains the most arcane of censorship systems in Europe. It costs £28 per minute for film censorship. The certificate awarded will greatly affect the sales potential of a film. In the UK, censorship is much more geared towards sex. Any form of violence with sex is frowned on, and films will usually have to cut these scenes. Language is considered more dangerous than violence, with five 'fucks' earning a film a 15 certificate.

Y is for youth

The youth market (under 25) still accounts for over 70 percent of cinema attendees. (Screen International)

Z is for Zombie

The classic film that launches every writer/director/filmmakers career in America: Take twelve actors to a house and chop them up. ie: Reservoir Dogs, Return of the Secacus Seven, Night of the Living Dead. Raindance alumnus Edgar Wright’s Sean of the Dead is a terrific British example.

Procrastination

We all love to procrastinate - especially when it comes to following your dreams.

In the film industry, procrastinators are never tolerated, although they are humoured. If you are serious about filmmaking - either as a filmmaker, a cinema fan or a newcomer wondering about filmmaking as a career - there is a course for you at Raindance.

If you have any doubts, please call me on 0207 287 3833. If I can't answer your questions, I probably know someone who can.

I hope to see you soon.

Happy filmmaking,


Elliot Grove
Raindance Festivals Ltd

phone: 020 7287 3833
-
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DISCOUNTS



- Ask about our special repeater fee (-50%) if you have taken this course before and would like a refresher
- Ask about our Group Booking discount for 3+ students
- Members of Raindance get a 15% discount on all single courses AND an additional 5% off Diploma courses.
- Students, OAP's and UB40's get a 10% discount

Discounts cannot be combined.

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Count Me In - - Call - 020 7287 3833
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The Raindance Guarantee

If you decide to attend and find that any Raindance course is overhyped, unsuitable or simply does not meet or exceed your expectations, let a member of Raindance know by noon on the first day for an instant, no-questions-asked refund.

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Hollywood's Four Biggest Lies

If you would like a copy of the Raindance article "Hollywood's Four Biggest Lies" send an email to us here and we will whiz one straight back to you.

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Members save 15%

Live!Ammunition!, FREE Script registration, support and foster independent fimmaking, and much more.

Friday, April 20, 2007

Death Proof OST Cover


Not too bad ...

Thursday, April 19, 2007

Simpsons Movie Goodies



Click on this to make it bigger.

The Simpsons Movie Banners

Wednesday, April 18, 2007

IN DEPTH FILM REVIEW - Everything Is Illuminated


Very good, although it's way was a little lost in the middle. Ending a bit disappointing.
Thanks to the lovely Jess for the heads up.

Tuesday, April 17, 2007

Raindance Summer

Raindance presents
Spring/Summer
Film Course Catalogue

Filmmaking taught by filmmakers - for filmmakers Courses starting in May 2007
Greetings!

I am Will Pearce, the Course Director at Raindance, and I am writing to tell you about our new Diploma courses in writing, directing, producing and filmmaking at Raindance, starting in May, 2007.

We have streamed our courses into easy-to-understand modules, making it easier and simpler to complete training between May and the end of August.

Raindance courses really work. Filmmakers who have taken our courses have made films which have screened at prestigious film festivals, won awards and made a combined box office total of more than one hundred million dollars.

Our courses are not taught by teachers - they are taught by filmmakers who can teach. Our team also run the Raindance Film Festival and the British Independent Film Awards.

Raindance courses make great gifts. You can give someone a Raindance course from as little as £30.

Let me tell you more -



First Feature


First: our classes work So many people have taken our classes and then gone on to make a feature film. Charles Steel is one. If you have never heard of him, click the picture to the left. He produced THE LAST KING OF SCOTLAND

Second: We follow our own advice
We currently have four films in production - all written, directed and produced by people like you who have taken Raindance courses.

Three: We have room for more films
Through the contacts we have made at the Festival over the past fifteen years, we have made some excellent contacts with investors eager to discover new talent - like you. The first film we produced, THE LIVING AND THE DEAD, actually had its world premiere at the prestigious Rotterdam Film Festival on January 28th. The film has gone on to win awards at many international film festivals, and now plans are being made to release the film here in the UK and abroad. Our second film is currently in post-production, and three more are in pre-production.

All have been written, directed or produced by Raindance film course students.

Four:
We offer out-of town discounts to anyone wanting to take advantage of our weekend or evening training courses. (We define out-or-town as anyone travelling from outside the M25 circular highway on the outskirts of London.)




FilmStock


21 Step Film School

Would you like to get a quick idea of how we teach?

How we think films should be made?

And once made, how we think they should get out there?

Click
here and enjoy.





DVD


How Our Courses Work

Our courses repeat every four months, except for special events with major guest directors, producers and screenwriters - which happen once a year.

You can book an individual course or a series of courses to make up a Raindance Diploma in your area of interest: Writing, Directing, Producing, or Filmmaking.

If you are unsure of which course to take, call me up, Will Pearce, on 0207 287 3833 and ask as many questions as you like. As Course Director at Raindance, my job is to make sure you pick the right course for your skill level and your interest, and your budget.

Whatever course or courses you choose, I can promise you that our courses deliver the most amount of information in the least amount of time at the best possible price.

Look around our
website...




DVDFilmCrew


Our Diplomas

We have bundled our courses together by topic, and offer them to you at a discount.

Frequently Asked Questions

1. When do your Diplomas start?
Diploma courses start in May 17 and September 6, 2007

2. How do I know which Diploma is best for me?
Our website has details on each course. If you need more information or advice, or if you are still unsure which diploma is best for you, give us a call on 0207 287 3833

3. How long does each Diploma take?
Most diplomas run over a four month period.

4. Is there a payment plan?
There are payment plans available, for details please call 0207 287 3833

5. What happens if I can't make a date for a course?
Rescheduling is usually not a problem, however we require a minimum of five days notice before the class start date.

6. Are Raindance diplomas officially recognized?
While Raindance courses are not officially recognized by government bodies, they are widely recognized within the film industry. Our record speaks for itself.

7. What if I am still unsure? You must be really busy preparing for the 15th
Raindance Film Festival and the 10th British Independent Film Awards, and you won't want to be disturbed with amateur questions?
Don't be silly. If it wasn't for you, we wouldn't exist. Our telephone number is 0207 287 3833, and if I am bus
y, ask for Joe or Elliot.

Useful Funding Information

Raindance Festivals Limited is a DFeS (Department For Education and Skills) approved provider of courses eligible for Career Development Loans.

Students who are over 18, live in the UK and who want to take our courses are eligible to apply for a minimum of £300 up to a maximum of £8,000 to cover tuition and/or living expenses. The loans offer favorable terms such as interest rate payment deferral.

Students can learn more by clicking
here. The Raindance provider code is 6835.

PLUS: For more details on funding schemes Arista Development have a very useful
training bursary guide for 2006. Note: you will need Acrobat Reader software to view this PDF document:





Raindance Logo


OPEN EVENING 15 May 6:30 - 9pm

If you are still undecided about which programme suits you, why not come to the Raindance Open Evening and talk to some of our tutors, ask as many questions as you want, watch some short films and do some serious networking. (sponsored by Cobra)

Admission is totally free, but you need to get onto our Guest List by sending an email to: party@raindance.co.uk with the words OPEN EVENING in the subject line. We will send you back an email with the venue (near Oxford Circus).


So You Want To Direct?

For our FREE article THE NINE ROUTES TO BREAKING IN AS A DIRECTOR, send an email here and we will whiz one straight back to you.




Directing


Director's Diploma

£1,786.00 inc. VAT
with 15% discount £1292.44 + VAT = £1518.62
Raindance members £1216.42 + VAT = £1429.29

Everybody wants to direct. Learning the skills needed to break into the film industry as a director requires a lifetime of learning.

Here are the courses Raindance has developed since 1992 to assist and train directors with the skills needed to suceed:

You can take these courses individually as well (just follow the links).

Filmmakers Foundation Certificate
starts 22nd May 6:30 - 9pm
Five Tuesday nights on the basics of filmmaking

Directors Foundation Certificate
Starts 24 May 6:30-9:30pm
Five consecutive Thursday nights introducing the basics of directing

Hands On Directing for Film & TV
Weekend of 30 June 1 July 9:30 - 6:30pm
The grammar of film directing explained

Advanced Hands On Directing
Weekend of 14/15 July 9:30 - 6:30pm
One-on-one instruction in a small group with Patrick Tucker.

Camera Skills Part 1 and Part 2
Saturday 21 July and Saturday 28 July 10 - 6:30pm
How the camera and grip equipment works on a HDV shoot

The Power of Lighting
Tuesday 9 August 6:30 - 9:30pm
How to light effectively

The HDV SHOOT
Weekend of 4/5 August10 - 6:30pm
Professional actors, a test script: You perform each of the roles over the weekend.

Directing Performance
Weekend of 11/12 August 9:30 - 6pm
How to get great screen performances from your actors.


Why 3 Act Will Kill Your Writing

It has been estimated that at least 50,000 scripts are written every year. Yet only a few hundred are bought and made. Why do so many writers fail?

Clearly, there is a limit to how many scripts the business can support. But in the vast majority of cases, scripts do not sell because the writer has not written a good script.

Read On...



Write


Writer's Diploma

£905.37 inc. VAT
with 15% discount
£654.94 + VAT = 769.56
Raindance members £616.43 + VAT = £724.30

Raindance has a diverse range of writing courses, aimed at writers at all levels.

Our basic writing diploma includes:

Filmmakers Foundation Certificate
five consecutive Tuesday nights starting May 22nd
Because we think a good writer needs to know the basics of filmmaking.

Write and Sell The HOT Script
Weekend of 14.15 July 9:30 - 6pm
Learn the basics of writing, and Day 2: How to sell your script.

Writers Lab
Seven consecutive Wednesday nights from 18 July 6:30 - 9:30pm
A dynamic interactive workshop

Pitching Skills Workshop
Thursday 30 August 6:30 - 9pm
Learn how to pitch - successfully

And then one of the following masterclasses

The Writers Journey
with Christopher Vogler
Weekend of 9/10 June 9:30 - 6pm

Script Secrets
with William C Martell
Weekend of 7/8 July 9:30 - 6pm


Beyond Structure
with David Freeman
Weekend of 23/ 24 September 9:30 - 6pm

22 Step Story Structure
with John Truby
March 2008 9:30 - 6pm


Please don't hestitate to give me, Will Pea
rce, a call on 0207 287 3833 with any question, large or small.

The Raindance version will be sent when you click above



Produce


Producer's Diploma

£591.25 inc. VAT
with 15% discount £427.71 + VAT = £502.27
Raindance members £402.55 + VAT = £473.00

A good producer manages the business and creative side of a film project. Here are the courses Raindance has developed to give you the skills in order to become a great producer:

99 Minute Film School
Thursday 17 May 6:30 - 9: 30pm
Learning filmmaking in 99 minutes is impossible - or is it?

Filmmakers Foundation Certificate
Tuesday 22 May 6:30 - 9:30pm
The basics in 5 evenings. One of our most popular courses

Lo-To-No Budget Filmmaking
Weekend of 23/24 June 9:30 - 6:00pm
Two action packed days that will launch your career.

Movie Money
Tuesday 26 June 6:30 - 9:30pm
Where the money is and how to find it.

Creating a Business Plan
Tuesday 3 July 6:30 - 9: 30pm
Learn how to present to industry and private investors.

Budgeting and Scheduling
Tuesday 10 July 6:30 - 9: 30pm
The boring but essential guts of filmmaking.

Basic Legal Contracts
Tuesday 17 July 6:30 - 9:30 pm
Discover the essential legal elements and how to use them.

Pitching Skills Workshop
Thursday 30 August 6:30 - 9pm

The essential skill for writers, directors and producers.

In addition, we recommend that you familiarise yourself with the basics of writing and directing.


Join Raindance

Get 15% off all courses (20% from Diplomas), free script registration, our annual DVD of the best shorts from the Raindance Film Festival and much more.

Find out more here....



Film Crew


Filmmakers Diploma
£1,443.14 incl. VAT
with 15% discount £1043.97 + VAT = £1226.66
Raindance members £982.56 + VAT = £1154.50

Here is a blend of our most popular writing, directing and producing courses.

99 Minute Film School
Thursday 17 May 6:30 - 9: 30pm
They say it can't be done in 99 minutes!

Filmmakers Foundation Certificate
Tuesday 22 May 6:30 - 9:30pm
Five information packed nights.

Lo-To-No Budget Filmmaking
Weekend of 23/24 June 9:30 - 6:00pm
The course taken by Guy Ritchie and Christopher Nolan.

Movie Money
Tuesday 26 June 6:30 - 9:30pm Where the money is and how to get it.

Hands On Directing for Film & TV
Weekend of 30 June 1 July 9:30 - 6:30pm
The grammar of film directing explained by Patrick Tucker.


Creating a Business Plan
Tuesday 3 July 6:30 - 9: 30pm
Learn how to present to industry and private investors.

Write and Sell The HOT Script
Weekend of 14.15 July 9:30 - 6pm
Discover the tricks to getting the movie in your head onto paper.

Budgeting and Scheduling
Tuesday 10 July 6:30 - 9: 30pm
Tedious. Boring. Essential for success.

Basic Legal Contracts
Tuesday 17 July 6:30 - 9:30 pm
A top lawyer explains the fine print.

The HDV SHOOT
Weekend of 4/5 August10 - 6:30pm

Professional actors, HDV camera, and a test script - from start to finish.

Pitching Skills Workshop
Thursday 30 August 6:30 - 9pm
Learn how to pitch - successfully

The essential tool for raising money and talent explained.



The A-Z of Independent Filmmaking

For a FREE article explaining the key phrases and catch words for independent filmmaking and filmmkers, send a blank email with the word A-Z in the subject line to info@raindance.co.uk and one of the interns will whiz one back to you.




Light Equip


Custom Diploma

The ideal option for filmmaers seeking a blend of training over different areas.

Three weekend courses of your choice, save 15% (20% if you are a
Raindance member) we will throw in the One Night course of your choice, absolutely free.

1.

2.

3.

FREE One Night course:
99 Minute Film School, Creating A Business Plan, Pitching Skills Workshop




Raindance Gift Certificates

Why not make the filmmaker in your life happy with a Raindance Gift Certificate? Call me, Will Pearce, on 0207 287 3833, and I will talk you through it.

Procrastination

We all love to procrastinate - especially when it comes to following your dreams.

In the film industry, procrastinators are never tolerated, although they are humoured. If you are serious about filmmaking - either as a filmmaker, a cinema fan or a newcomer wondering about filmmaking as a career - there is a course for you at Raindance.

If you have any doubts, please call me on 0207 287 3833. If I can't answer your questions, I probably know someone who can.

I hope to see you soon.

Happy filmmaking,

Will Pearce
Raindance Festivals Limited

This is the fine print text where you might tell your customers how the item will be shipped and, for example, if they are overseas that there will be additional shipping charges and must contact you.

DISCOUNTS
- Ask about our special repeater fee (-50%) if you have taken this course before and would like a refresher
- Ask about our Group Booking discount for 3+ students
- Members of Raindance get a 15% discount on all single courses AND an additional 5% off Diploma courses.
- Students, OAP's and UB40's get a 10% discount

Discounts cannot be combined.



The Raindance Guarantee

If you decide to attend and find that any Raindance course is overhyped, unsuitable or simply does not meet or exceed your expectations, let a member of Raindance know by noon on the first day for an instant, no-questions-asked refund.

THE FINE PRINT:
If you find a course is not for you, let Raindance staff know by lunch-time on the first day (weekend course) of at the first break on an evening course for a full no-questions-asked refund.


Individual Courses?

Of course you can book an individual course.

If you are uncertain which course to take - call Raindance on 0207 287 3833. we will listen to you and your career aspirations and recommend the right course for you.


Raindance members save 15% on single courses, 20% on Diplomas

Live!Ammunition!, FREE Script registration, support and foster independent fimmaking, and much more.
All for £50 per annum. It's so easy to join. Details here.


How do you go from a struggling screenwriter to a full fledged filmmaker in under two years with no connections, no family in the business, and no real experience?

According to Mark Mahon, you take Raindance courses.